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【作曲技术理论与音乐作品研究】姜蕾/简约下的重组整合——赖利《In C》结构特征分析

  摘要:赖利的《In C》是简约派音乐最具代表性的作品之一,写于1964年,1968年首演,为非指定乐器的重奏组而写。文章对《In C》从基于音型模块重复之上的结构概念、宏观时间下的有序结构逻辑、与泛调性结构三个方面展开分析,力求探及简约主义在继序列主义与偶然音乐之后就音乐结构方面如何在“现有的传统”与“过去的传统”之间进行有效地整合,从而为当代音乐结构理论研究提供新的思路。

  关键词:赖利;《In C》;简约音乐;音型模块、添加结构、相位变换、移动卡农、泛调性
  中图分类号:J609.9   文献标识码:A   DOI:10.3969/j.issn1003-7721.2013.01.000

  作者简介:姜蕾(1975- ),女,文学博士,华东师范大学音乐系副教授(上海 200062)。
  收稿时间:2012—08—23

The Reorganization and Integration under Minimalist

 
JIANG Lei


  Abstract: Riley’s In C defined the minimalist style of modular repetition and was the first work to bring minimalism into mainstream culture. This work finished in 1964, and composed for unspecified instruments ensemble. This paper analyzed In C on three aspects: the conception of structure based on modular repetition, ordered structure logic under the macroscopic time, and structure of pantonality; explored how the minimalist school, following the Serialism and chance music, effective concordance the music structure between “existing traditions” and “past traditions”, so as to provide new ideas for research on contemporary music structural theory.

  Key Words: Terry Riley (1935~ ), In C (1964), minimalist music, module of musical pattern, addition structure, phase changing, movable canon, pantonality