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【作曲技术理论与音乐作品研究】甘芳萌/12音序列内部结构的多样性及序列之间的发展逻辑

——以达拉皮科拉《献给安娜莉贝拉的音乐札记》为例

  摘要:文章以达拉皮科拉《献给安娜莉贝拉的音乐札记》(Quaderno Musicale di Annalibera)为例,通过不同的分析视角与方法,对其各乐章的不同音高组织结构即12音序列内部结构及序列之间的发展逻辑的特点进行凸现与分类,试图阐明12音序列作品中除以序列内部顺序作为结构特征之外,还通过共有相同音级子集、强调微观音程与宏观路径的对称性等建构音高组织的多重结构思路。

  关键词:达拉皮科拉(Luigi Dallapiccola,1904-1975);《献给安娜莉贝拉的音乐札记》(Quaderno Musicale di Annalibera);12音序列;对称;音集;巴赫动机(BACH);转换网络理论

  中图分类号:J609.9   文献标识码:A   DOI:10.3969/j.issn1003-7721.2013.01.000

  作者简介:甘芳萌(1979- ),女,上海音乐学院音乐学系讲师、音乐学系2006级博士生(上海200031)。
  收稿时间:2012-04-20

 

On the Variety of Inner Structure of Twelve Tone Row with Developmental Logic among the Rows 

GAN Fang-meng


  Abstract: Through the different analysis viewpoint and method, with Dallapiccola’s Quaderno musicale di Annalibera as an example, this article highlighted and sorted out the features of the inner structure of twelve tone row and developmental logic among the rows, which were the pitch organization structure in its each movement, attempted to elucidate that in addition to according to the inner order of the row as the features of structure, the twelve tone music also built the pitch organization with sharing the common subset of pitches-class, stressed micro-interval with macro path to symmetry in the ideas of multi constructions.

  Key Words: Luigi Dallapiccola (1904~1975), Quaderno musicale di Annalibera (1952), solo piano, featuring the BACH motif, twelve tone row, symmetry, pitches-class sets, BACH motif, theory of shift the network