伟德体育平台-伟德体育网站

【乐律学与音乐考古学】刘永福/“同均三宫”原理的“宫调学”阐释

——谨以此文纪念“同均三宫”发表三十周年

  摘要:“同均三宫”原理是均、宫、调三层次概念的综合反映,其内涵单纯,音律数理逻辑严密。“均”体现的是“七个音律(位)”;“宫”代表的是“九声系统”。“七律”与“九声”相互结合,必然形成三种结构形态,表现为三种不同的“乐调系统”和“音乐风格”,这就是“同均三宫”。

  关键词:同均三宫;音律法则;七律;九声;律位;律高

  中图分类号:J612.1   文献标识码:A    DOI:10.3969/j.issn1003-7721.2013.01.000
  作者简介:刘永福(1960-)男,扬州大学艺术学院教授,(扬州  225009)。
  收稿时间:2012—06—23

On Tongjun Sangong (A Set of Note Include Three Modes)    


LIU Yong-fu


  Abstract: The principle of “Tongjun Sangong (a set of note include three modes)” is comprehensive reflection of the three levels of conceptions: Jun, Gong and tonal, with its contents simple, and the strict logic of temperament mathematical. “Jun” is embodied the “seven-temperament (place)”, “Gong” representative of “nine tone system”. That both the “seven-temperament” and “nine tone” combined each other, would form three kinds of structure patterns, resulted of three different kinds of “tonal system” and “music style” that is the “tongjun sangong (a set of note include three modes)”.

  Key Words: tongjun sangong (a set of note include three modes), rule of temperament, seven-temperament, nine tone,