伟德体育平台-伟德体育网站

【音乐批评学、音乐史学与音乐编辑学】宋方方/美国女性主义音乐批评的学术历程

  摘  要:以女性主义视角反思西方音乐历史的发展与演变,是在20世纪60、70年代女性主义运动及女性主义文艺思潮的基础上发展的,并成为美国“新音乐学”(New Musicology)的重要分支,影响了90年代之后美国音乐学的发展走向。自此,以前备受忽视的女性和性别问题得到音乐学界的重视。本文主要从学术观点讨论女性主义音乐批评的学术历程及其影响。

  关键词:女性主义;音乐批评;美国;新音乐学
  中图分类号:J609.9   文献标识码:A   DOI:10.3969/j.issn1003-7721.2013.01.000

  作者简介:宋方方(1982-),女,文学博士,福建师范大学音乐学院讲师(福州 350108)
  收稿时间:2012-06-05

The Academic Course of Feminist Music Criticism in America 


 SONG Fang-fang


  Abstract: Based on the Feminist movement and the Feminist trend of thought in literature and art in the 1960s and 1970s, reflections on the development and evolution of western music history from the feminist perspective have become an important branch of American "New Musicology" and influenced the development trend of American Musicology after the 1990s. Since then, previously overlooked women and gender issues have got the attention of the academia in music. This article mainly discusses the academic course as well as the influence of feminist music criticism from the academic point of view.

  Key Words: Feminist, music criticism, American, new musicology